![]() ![]() ![]() It drops down and pushes through the open glass doors, where it detaches from the crane and, guided by operator John C. ![]() Then, in an apparent single take, the camera sweeps over the buildings and wipes through a rooftop, where we merge it with a technocrane shot that reveals the outdoor seating of an opulent restaurant. In the opening, we begin with helicopter shots of the twinkling Los Angeles nightscape, setting up our location. Maisel, and we planned out elaborate shots that would flow through the space while simultaneously reinforcing the characters and the story. One of Nancy’s biggest influences was the moving masters of The Marvelous Mrs. We put together a shot list for the entire film, along with reference images from films that influenced us and floor plans to help schedule our days. Nancy Hower has a fantastic vision and we worked through the script in great detail, breaking it down by character development and seeing how our visuals could support that. My first step in building the style for a project is always to get into my director's head until I know what they want without them having to say anything. However, unlike Creative Cloud, you can keep on using this software, and likely upgrading it, long after that year is up. The cost of the bundle works out to less than the price of a year's academic subscription to Adobe Creative Cloud, which is $19.99/month, though of course that suite includes more than just the Premiere editing app. Even just the two apps most filmmakers will rely on, FCP and Compressor, would set you back $348 without the discount. Purchased separately, the Apple apps run up to $630. Filmmakers haven't taken to Logic and MainStage en masse, but having those apps along in the bundle is a nice bonus if you also happen to be a composer or musician. In a $199 bundle for students and educators, the platform is an even better deal, especially with the inclusion of Compressor. There is no guarantee that the no-fee upgrade policy will continue (unlike a software like Resolve, where a dongle purchase comes with upgrades guaranteed), but so far it's held up and proven to be a great investment for its users. As a bonus, there has been no upgrade price since it came out in 2011 if you paid $299 for it the month it came out, your license is still good six years later for the most current version, which works out to only $50/year, or around $4.50/month. Final Cut Pro X has always had a great price, at just $299 for the powerful software. ![]()
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